Canaletto Collection (page 9)

St. Pauls Cathedral, London, UK, Canaletto, 1697-1768, Italian

The Thames from the Terrace of Somerset House, Looking toward Westminster London The City of Westminster from the Terrace of Somerset House View of the River Thames

The Thames from the Terrace of Somerset House, Looking toward St. Pauls The Thames from the Terrace of Somerset House, Looking toward Saint Pauls The City from the Terrace of Somerset House A View of

London Bridge, with St. Pauls Cathedral in the distance A View of London Bridge from the East, with St. Pauls Cathedral in the Background, London Signed and dated in black paint

Canaletto (Italian, 1697-1768), The Porta Portello, Padua, c. 1741-1742, oil on canvas

Canaletto (Italian, 1697-1768), La Torre di Malghera, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Mestre, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Le Porte Del Dolo, c. 1735-1746, etching on laid paper

Fabio Berardi after Canaletto (Italian, 1728-1788), Prospetto della Chiesa del SS. Salvatore, 1742, engraving and etching on laid paper

Canaletto (Italian, 1697-1768), Landscape with Tower and Two Ruined Pillars [left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), View of a Town with a Bishops Tomb, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), The Market at Dolo [lower left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), The House with the Inscription [left], 1741, etching

Canaletto (Italian, 1697-1768), Pra della Valle, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), The House with the Peristyle [right], 1741, etching on laid paper

Giovanni Battista Brustolon after Canaletto (Italian, 1712-1796), Visit of the Doge to San Zaccaria on Easter Day, 1763-1766, etching and engraving on laid paper

Canaletto (Italian, 1697-1768), View of a Town on a River Bank, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), Imaginary View of S. Giacomo di Rialto, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), Landscape with Ruined Monuments, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), Landscape with a Woman at a Well, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), La Piera del Bando. V. c. 1735-1746, etching

CANALETTO: VENICE. The lock of the Dolo Canal, c1728. Canvas

CANALETTO: VENICE. The pier with the library and the column of San Theodoro. Oil on canvas, c1735

CANALETTO: VENICE. The bank of the Schiavoni looking west. Canvas

CANALETTO: VENICE. The Piazetta Looking Toward the Torre dell Orologio. Canvas, c1725-30

BELLOTTO: VIENNA, 1760. View of Vienna from Belvedere Palace, by Bernardo Bellotto. Canvas, c1760

CANALETTO: VIENNA, 1760. Schoenbrunn Palace, Vienna, Austria. Oil on canvas by Canaletto, c1760

CANALETTO: WARWICK. Canaletto (1697-1768): View of Warwick Castle. Oil on canvas

VIEW IN VENICE. Canaletto. Canvas, c1740

VENICE: SANTI APOSTOLI. Campo Santi Apostoli in Venice, Italy, with the canal Rio dei SS. Apostoli in the foreground. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CAMPO DEI GESUITI. Campo dei Gesuiti in Venice, Italy, with Ponte dei Gesuiti in the foreground. To the right is the Jesuits church. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: MARIA FORMOSA. Campo Sta. Maria Formosa in Venice, Italy, with Palazzo Malipiero-Trevisan in the background. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: STEFANO, 1735. Campo San Stefano in Venice, Italy, (formerly named after Francesco Morosini) with Palazzo Morosini left of center and Palazzo Loredan on the right

VENICE: CHURCH, 1735. Santa Maria Zobenigo in Venice, Italy, also known as Santa Maria del Giglio. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: SAN ROCCO, 1735. Scuola di San Rocco in Venice, Italy, one of the great Guilds of Venice. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: THE MOLO, 1735. The Molo in Venice, Italy, looking west, Column of St. Theodore on the right. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CHURCH, 1735. Church of San Nicolo di Castello in Venice, Italy, with canal Rio di San Giuseppe in foreground and church San Giuseppe di Castello to left-center

VENICE: GRAND CANAL, 1735. The Grand Canal in Venice, Italy, looking east from the Palazzo Flangini to the Church of San Marcuola. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: BUCINTORO, 1735. The Bucintoro (state barge) returning to the Molo on Ascension Day. On the Pool of St. Mark facing the Molo, in Venice, Italy

VENICE: CHIARA CANAL, 1735. The Canale di Santa Chiara in Venice, Italy, looking southeast along the Fondamenta della Croce. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: GRAND CANAL, 1735. A regatta on the Grand Canal in Venice, Italy. Engraving, 1735, by Antonio Visentini after Canaletto

View of the Salute from the Entrance to the Grand Canal Venice, 1727-1728, oil on canvas by Giovanni Antonio Canal known as Canaletto (1697-1768) Venetian painter

View of the Grand Walk etc. in Vauxhall Gardens taken from the Entrance. Vauxhall Gardens was one of the great pleasure grounds of London and this image of 1751 shows a formal avenue of trees

Arrival of the French Ambassador in Venice, c1740s. Oil on canvas. Giovanni Antonio Canal (1697-1768) called Canaletto, Venetian painter. Italy Doge Palace Gondola Diplomacy Water Architecture

VENICE: DOGEs PALACE. Meeting of senators at the Doges Palace in Venice, Italy. Engraving after a painting by Giovanni Antonio Canaletto, 18th century

ITALY: MESTRE. The town of Mestro in Veneto, Italy. Line engraving by Giovanni Antonio Canal or Canaletto, 18th century

CANALETTO & VISENTINI. Italian artists Giovanni Antonio Canaletto (1697-1768) and Antonio Visentini (1688-1782). Engraving by Visentini after a monochrome by Giovanni Battista Piazzetta, 18th century

VENICE: GRAND CANAL, 1742. View of the Grand Canal and the entrance to the Cannaregio in Venice, Italy. Line engraving, 1742, by Antonio Visentini afer Canletto

All Professionally Made to Order for Quick Shipping

"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.