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Beam Collection (page 2)

"Captivating Beams: From Bourbon Aging to UFO Sightings and Beyond" In the heart of Kentucky's picturesque Loretto

Background imageBeam Collection: Branches and Leaves I

Branches and Leaves I
Tal Paz-Fridman

Background imageBeam Collection: Two

Two
Tal Paz-Fridman

Background imageBeam Collection: Natural Geometries V

Natural Geometries V
Tal Paz-Fridman

Background imageBeam Collection: Natural Geometries I

Natural Geometries I
Tal Paz-Fridman

Background imageBeam Collection: City Girl

City Girl
Julia Leister

Background imageBeam Collection: How the breaking point of a beam depends upon the material

How the breaking point of a beam depends upon the material
5310107 How the breaking point of a beam depends upon the material; (add.info.: Diagram illustrating how the breaking point of a beam depends upon the material, thickness (A, B)

Background imageBeam Collection: A battering ram supported by a beam

A battering ram supported by a beam
5310045 A battering ram supported by a beam; (add.info.: Woodblock print depicting a battering ram supported by a beam. This design could be given far greater impetus than one mounted simply)

Background imageBeam Collection: Approaching a battleship at night, illustration from The Western Front, pub

Approaching a battleship at night, illustration from The Western Front, pub. by Country Life Ltd, 1917 (litho)
STC400484 Approaching a battleship at night, illustration from The Western Front, pub. by Country Life Ltd, 1917 (litho) by Bone

Background imageBeam Collection: A man asleep in a doorway of an alley, in Algiers, 1880 (print on double-weight paper)

A man asleep in a doorway of an alley, in Algiers, 1880 (print on double-weight paper)
3561549 A man asleep in a doorway of an alley, in Algiers, 1880 (print on double-weight paper); (add.info.: Algiers, Algeria 1880 - 1890 Photographer: Unidentified Author); Alinari Archives, Florence

Background imageBeam Collection: Jean Martin Charcot (1825-1903) French neurologist and pathologist

Jean Martin Charcot (1825-1903) French neurologist and pathologist, demonstrating production of hypnosis using beam of
542255 Jean Martin Charcot (1825-1903) French neurologist and pathologist, demonstrating production of hypnosis using beam of light from a magic lantern

Background imageBeam Collection: Interior of a traditional Russian loghouse or Izba, 18th century

Interior of a traditional Russian loghouse or Izba, 18th century. Woman tending chickens in the living room
FLO4624955 Interior of a traditional Russian loghouse or Izba, 18th century. Woman tending chickens in the living room, and a large brick oven in the rear

Background imageBeam Collection: An engraving depicting the refraction of a beam of light in a bowl of water

An engraving depicting the refraction of a beam of light in a bowl of water
5311290 An engraving depicting the refraction of a beam of light in a bowl of water. The beam of light is bent because light changes direction as it moves from one medium to another (air to water)

Background imageBeam Collection: 'En Grece par monts et par vaux' ('In Greece Through Mountains and Valleys')

"En Grece par monts et par vaux" ("In Greece Through Mountains and Valleys")
3563371 "En Grece par monts et par vaux" ("In Greece Through Mountains and Valleys"): Orthodox priests in Paleokastritsa, 1903-1910 (photomechanic print); (add.info.: Corfu)

Background imageBeam Collection: An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism

An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism
5311301 An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism and breaking it down into it's separate colours

Background imageBeam Collection: Flow #1

Flow #1
Tal Paz-Fridman

Background imageBeam Collection: Hayle. St Ives in the distance, c1860. West Cornwall Railway

Hayle. St Ives in the distance, c1860. West Cornwall Railway, later part of the Great Western Railway (GWR)
541097 Hayle. St Ives in the distance, c1860. West Cornwall Railway, later part of the Great Western Railway (GWR). The boom time for the harbour

Background imageBeam Collection: Moving beams on the 25th floor of the Empire State Building, published by William Edwin Rudge

Moving beams on the 25th floor of the Empire State Building, published by William Edwin Rudge, 1931 (pencil on paper)
STC138072 Moving beams on the 25th floor of the Empire State Building, published by William Edwin Rudge, 1931 (pencil on paper) by Bailey

Background imageBeam Collection: View of the cranes on the 8th floor of the Empire State Building, May 1930

View of the cranes on the 8th floor of the Empire State Building, May 1930, published by William Edwin Rudge
STC138071 View of the cranes on the 8th floor of the Empire State Building, May 1930, published by William Edwin Rudge, 1931 (pencil on paper) by Bailey

Background imageBeam Collection: The Salon del las Camas in the Palace of the Alhambra, in Granada

The Salon del las Camas in the Palace of the Alhambra, in Granada
3566565 The Salon del las Camas in the Palace of the Alhambra, in Granada by Unknown photographer, (19th century); (add.info.: Granada, Alhambra, Salon de las Camas, Spain 1880-1890 ca)

Background imageBeam Collection: Noah supervising the building of the Ark

Noah supervising the building of the Ark
5311803 Noah supervising the building of the Ark; (add.info.: Woodblock engraving depicting Noah supervising the building of the Ark. In the foreground two men are shaping a beam using adzes)

Background imageBeam Collection: An engraving depicting refraction: a piece of wood appearing to be bent where it enters the water

An engraving depicting refraction: a piece of wood appearing to be bent where it enters the water because the path of
5311289 An engraving depicting refraction: a piece of wood appearing to be bent where it enters the water because the path of light alters as it moves from one medium to another

Background imageBeam Collection: Sectional view of Sautter and Lemonnier's projector, fitted to French warships

Sectional view of Sautter and Lemonnier's projector, fitted to French warships
5310267 Sectional view of Sautter and Lemonnier's projector, fitted to French warships; (add.info.: Sectional view of Sautter and Lemonnier's projector, fitted to French warships)

Background imageBeam Collection: Book of Hours. 15th c. (18 x 13 cm). Epiphany scene. Work known as 'Hours of the Queen of Sweden'

Book of Hours. 15th c. (18 x 13 cm). Epiphany scene. Work known as "Hours of the Queen of Sweden"
CUL4868350 Book of Hours. 15th c. (18 x 13 cm). Epiphany scene. Work known as "Hours of the Queen of Sweden". Illuminations of the school of Bruges

Background imageBeam Collection: An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism

An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism
5311288 An engraving depicting the projecting of a beam of sunlight (white light) passing through a prism and breaking it down into it's separate colours

Background imageBeam Collection: PAXTON, Joseph (1801-1865). Crystal Palace. 1851 (engraving)

PAXTON, Joseph (1801-1865). Crystal Palace. 1851 (engraving)
CUL4932771 PAXTON, Joseph (1801-1865). Crystal Palace. 1851 (engraving); (add.info.: PAXTON, Joseph (1801-1865). Crystal Palace. 1851

Background imageBeam Collection: Saint Francis receives stigmas, c.1675-80 (oil on canvas)

Saint Francis receives stigmas, c.1675-80 (oil on canvas)
CUL4934561 Saint Francis receives stigmas, c.1675-80 (oil on canvas); 178x208 cm; (add.info.: Baroque Art SPAIN. ANDALUSIA. Cadiz. Museo de Cadiz. SPAIN. ANDALUSIA. Cadiz)

Background imageBeam Collection: Construction of the London Underground: the worksite at Holland Park

Construction of the London Underground: the worksite at Holland Park
3569056 Construction of the London Underground: the worksite at Holland Park by Unknown photographer, (19th century); (add.info.: Great Britain 1897 Photographer)

Background imageBeam Collection: Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)

Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)
CUL4932397 Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas); 210x305 cm; (add.info.: Miracle of Our Lady of Atocha)

Background imageBeam Collection: The entrance hall of the new Assize Courts at Manchester, 1864. Creator: Mason Jackson

The entrance hall of the new Assize Courts at Manchester, 1864. Creator: Mason Jackson
The entrance hall of the new Assize Courts at Manchester, 1864. View of the interior. [The architect, ] Mr. A. Waterhouse, of New-street, Spring-gardens...[has] produced what is

Background imageBeam Collection: The banquet given to M. Berryer in the Middle Temple Hall by the members of the English Bar, 1864

The banquet given to M. Berryer in the Middle Temple Hall by the members of the English Bar, 1864. Creator: Unknown
The banquet given to M. Berryer in the Middle Temple Hall [in London] by the members of the English Bar, 1864. We give an Illustration of the festive scene in the Middle Tempie Hall

Background imageBeam Collection: Reef

Reef
Takafumi Yamashita

Background imageBeam Collection: Workers 2

Workers 2
Violeta Milutinovic

Background imageBeam Collection: Big vs small

Big vs small
Leif Løndal

Background imageBeam Collection: Petronas Towers in a Foggy Afternoon

Petronas Towers in a Foggy Afternoon. Kuala Lumpur, Malaysia.. Nader El Assy

Background imageBeam Collection: Layers

Layers
Faroer. Gerd Moors

Background imageBeam Collection: Beam of Light

Beam of Light
Lydia Jacobs

Background imageBeam Collection: Vestrahorn

Vestrahorn
Tomasz Rojek

Background imageBeam Collection: Laser shot

Laser shot
hardibudi

Background imageBeam Collection: where does it begin?

where does it begin?
Yusuf Afandi

Background imageBeam Collection: The biker

The biker
Gerard Jonkman

Background imageBeam Collection: Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. Creator: Tsukioka Yoshitoshi

Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. Creator: Tsukioka Yoshitoshi
Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. Shinozuka, a senior vassal of Nitta Yoshisada, was known as a courageous warrior and was famous for his immense strength

Background imageBeam Collection: Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. Creator: Tsukioka Yoshitoshi

Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. Creator: Tsukioka Yoshitoshi
Shinozuka Iganokami Sadatsuna Lifting a Giant Beam, 1886. From Yoshitoshi's Warriors Trembling with Courage

Background imageBeam Collection: St. Nicholas Church, Durham - interior, 1858. Creator: Murray

St. Nicholas Church, Durham - interior, 1858. Creator: Murray
St. Nicholas Church, Durham - interior, 1858. This church...[has] undergone a thorough repair, and been in part rebuilt...[to the] design of Mr

Background imageBeam Collection: Westminster School, 1860. Creator: Unknown

Westminster School, 1860. Creator: Unknown
Westminster School, 1860. Private school for boys in London. The school, originally the dormitory of the monks of St. Peter's, is of great antiquity: it has a massive roof of chestnut

Background imageBeam Collection: Interior of Wichita grass-house, 1927. Creator: Edward Sheriff Curtis

Interior of Wichita grass-house, 1927. Creator: Edward Sheriff Curtis
Interior of Wichita grass-house, 1927

Background imageBeam Collection: Building the pithead, 1832, (1833). Creator: Auguste Raffet

Building the pithead, 1832, (1833). Creator: Auguste Raffet
Building the pithead, 1832, (1833). Construction de la descente de Fosse'. Soldiers with baskets and wooden beams in a nocturnal hilly landscape

Background imageBeam Collection: Opening of the New Corn Exchange, at Hull, 1856. Creator: Unknown

Opening of the New Corn Exchange, at Hull, 1856. Creator: Unknown
Opening of the New Corn Exchange, at Hull, 1856. The centre part [of the building] is the magnificent Exchange-hall, 160 feet long by 45 wide

Background imageBeam Collection: Scaffolding for Raising the Quarter-Bells in the Clock Tower of the New Houses of Parliament

Scaffolding for Raising the Quarter-Bells in the Clock Tower of the New Houses of Parliament, 1857. Creator: Unknown
Scaffolding for Raising the Quarter-Bells in the Clock Tower of the New Houses of Parliament, [London], 1857. St Stephen's Tower, (later renamed the Elizabeth Tower)



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"Captivating Beams: From Bourbon Aging to UFO Sightings and Beyond" In the heart of Kentucky's picturesque Loretto, a captivating beam of light illuminates the Makers Mark Bourbon Distillery. As barrels age in anticipation of creating the finest bourbon, this beam symbolizes both tradition and craftsmanship. Meanwhile, high above in the sky, a Coyne helicopter encounters an enigmatic UFO emitting its own mesmerizing beam. The mystery deepens as tales of cattle mutilation intertwine with these otherworldly sightings. Stepping back in time, Rembrandt's "Landscape with a Stone Bridge" showcases nature's ethereal beams casting their enchanting glow upon a tranquil scene. This masterpiece reminds us that beams have fascinated artists for centuries. Shifting gears to industrial history, Ben Shahn's painting for the Steel Workers Organizing Committee depicts workers united under one powerful beam – their collective strength shining through in their fight for fair labor practices during the late 1930s. Nature continues to inspire awe as two jackdaws bask in sunlight streaming through branches – a simple yet beautiful reminder of how they can transform ordinary moments into extraordinary ones. Returning to UFO phenomena, Gulf Breeze becomes synonymous with unexplained lights beaming across its skies. Countless witnesses share stories filled with intrigue and wonderment as they try to decipher these extraterrestrial signals. On Cape Cod's foggy shores stands Chatham Lighthouse – its guiding beacon piercing through misty veils like an ethereal beam leading ships safely home. A testament to resilience and navigation amidst uncertainty. Amidst all these diverse contexts lies light refraction - where beams bend and dance playfully before our eyes, and is within this phenomenon that science meets artistry; reminding us that even something as fundamental as light can surprise us with its beauty and complexity. From aging bourbon barrels to celestial mysteries or historical artwork capturing luminous moments - beams hold a captivating power that transcends time and space.