Allegories Collection (page 8)

Anger, detail from The Table of the Seven Deadly Sins and the Four Last Things, c. 1480 (oil on panel)
XIR161723 Anger, detail from The Table of the Seven Deadly Sins and the Four Last Things, c.1480 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain

Studies of Death and the Resurrection, and a Head of a Man, c. 1860 (graphite)
XYC270903 Studies of Death and the Resurrection, and a Head of a Man, c.1860 (graphite) by Watts, George Frederic (1817-1904); 17.9x11.3 cm; Yale Center for British Art, Paul Mellon Collection, USA

Aristotle and Phyllis, surrounded by a young man and woman with Eros, and reclining nude woman with two children
1163365 Aristotle and Phyllis, surrounded by a young man and woman with Eros, and reclining nude woman with two children, second half of the 15th century (engraving) by Baldini

Allegorical portrait of Jahangir (opaque w / c & gold on paper)
874380 Allegorical portrait of Jahangir (opaque w/c & gold on paper) by Ali Khan, Ghulam (fl.1815); 27.7 x18 cm; San Diego Museum of Art, USA; (add.info.: Nur-ud-din Mohammad Salim)

The Haywain, Allegory of the Vanity of the World (oil on panel)
XIR216117 The Haywain, Allegory of the Vanity of the World (oil on panel) by Mostaert, Gillis (1534-98) (workshop of); 104x139 cm; Louvre, Paris, France; (add.info.: allegorie de la vanite du monde; )

Knight, Death, and the Devil, 1513 (engraving)
883704 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); Minneapolis Institute of Arts, MN, USA; (add.info.: The Christian knight)

Death to the monster, front cover illustration from Le Petit Journal, supplement illustre
486924 Death to the monster, front cover illustration from Le Petit Journal, supplement illustre, 20th September 1914 (colour litho) by French School

Battle of the sea-gods (pen & brown ink on white paper)
CTS366761 Battle of the sea-gods (pen & brown ink on white paper) by Mantegna, Andrea (1431-1506) (workshop of); 25.7x38 cm; The Devonshire Collections

Silver (oil on canvas) (detail of 422991)
CH139995 Silver (oil on canvas) (detail of 422991) by Moore, Albert Joseph (1841-93); Private Collection; Photo © Christies Images

Knight, Death and the Devil, 1513 (engraving)
877268 Knight, Death and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.9 x 19.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

France triumphant encouraging the Sciences and the Arts during the war, 1794 (oil on canvas)
698768 France triumphant encouraging the Sciences and the Arts during the war, 1794 (oil on canvas) by Meynier, Charles (1768-1832); 65.3x84.3 cm; Bibliotheque Paul-Marmottan

The Bridge of Life, 1884 (oil on canvas)
HTL226381 The Bridge of Life, 1884 (oil on canvas) by Crane, Walter (1845-1915); Private Collection; By courtesy of Julian Hartnoll

397488 by Cheret, Jules (1836-1932); JMK Archiv, Bremen, Germany; JMK Archiv

Concerts Ysaye, 1896 (lithography)
398347 Concerts Ysaye, 1896 (lithography) by Meunier, Henri Georges Jean Isidore (1873-1922); JMK Archiv, Bremen, Germany; (add.info.: Poster for the concert on June 5)

Les Affiches Etrangeres, 1897 (lithography)
397471 Les Affiches Etrangeres, 1897 (lithography) by Rassenfosse, Armand (1862-1934); JMK Archiv, Bremen, Germany; (add.info.: Les Affiches Etrangeres and Lith. Aug)

TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving)
7262220 TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving)
7262244 THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE MOCK PHOENIX)

CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)
7262243 CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington, UK; (add.info.: CROSS EXAMINATION)

POLAR STAR, 1813 (engraving)
7262218 POLAR STAR, 1813 (engraving) by Dubois, Frederic (fl.1780-1815); Bromley Museum, Orpington, UK; (add.info.: POLAR STAR Oct 1813 cat: 11708 Star Brilliant, immense, it illuminates)

THE TWO KINGS OF TERROR, 1813 (engraving)
7262215 THE TWO KINGS OF TERROR, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TWO KINGS OF TERROR)

Napoleon depicted as the Beast of the Revelation, 1808 (engraving)
7262214 Napoleon depicted as the Beast of the Revelation, 1808 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)
7262211 GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving)
7262238 ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving) by English School, (19th century); Bromley Museum, Orpington

THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving)
7262234 THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving) by Fores, S.W. (fl.1785-1825); Bromley Museum, Orpington

THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)
7262217 THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving)
7262206 THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving) by English School, (19th century); Bromley Museum, Orpington

An Allegory of the Devine Authority of the Church, 15th century (Ink, Watercolour)
7261601 An Allegory of the Devine Authority of the Church, 15th century (Ink, Watercolour) by Roman School, (16th century); 17.5x13.5 cm; Maidstone Museum and Art Gallery, Kent

Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)
7262236 Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

COSSACKS AT THE BIVOUAC, c. 1814 (engraving)
7262229 COSSACKS AT THE BIVOUAC, c. 1814 (engraving) by Debucourt, Philibert Louis (1755-1832); Bromley Museum, Orpington

I SHOT THIS IN MOSCOW, 1813 (engraving)
7262228 I SHOT THIS IN MOSCOW, 1813 (engraving) by Dutch School, (19th century); Bromley Museum, Orpington, UK; (add.info.: DEZE BOK HEB IK GESCHOTEN TE MOSCOU Dutch print by Esfer)

NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving)
7262212 NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington, UK; (add.info.: NAP AND HIS FRIENDS IN THEIR GLORY)

THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)
7262205 THE CORSICAN MACHEATH DESIGNED. 1803 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington, UK; (add.info.: THE CORSICAN MACHEATH DESIGNED)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)
7262213 BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving) by Tegg, Thomas (1776-1845); Bromley Museum, Orpington, UK; (add.info.: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!)

NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)
7262204 NAPOLEON -MAKE PEACE WITH !! 1813 (engraving) by German School, (19th century); Bromley Museum, Orpington, UK; (add.info.: NAPOLEON -MAKE PEACE WITH !)

DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)
7262241 DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)
7262219 THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TYRANT OF THE CONTINENT IS FALLEN)

AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
7262210 AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving) by Roberts, Piercy (fl.1791-1828); Bromley Museum, Orpington

THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)
7262194 THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

France invites the Genius of Painting to transmit to future generations the story of French conquests
XIR347328 France invites the Genius of Painting to transmit to future generations the story of French conquests and the victories of her armies, c.1800 (gouache) by Lesueur, P. A

The Sacrifice to the Fatherland, 1879 (oil on canvas)
XIR316638 The Sacrifice to the Fatherland, 1879 (oil on canvas) by Moreau de Tours, Georges (1848-1901); Musee du Petit Palais, Paris

Allegory of the Revolution of 1789, 1796 (oil on canvas)
XIR371998 Allegory of the Revolution of 1789, 1796 (oil on canvas) by Wilbaut, Jacques (1729-1806); 139x127 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Calligraphic title page with vignette of woman emerging from a p 1928 (print)
7237129 Calligraphic title page with vignette of woman emerging from a p 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

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"Unveiling the Hidden Meanings: Exploring Allegories in Art and Life" Delve into the world of allegories, where symbols speak volumes and stories are told through visual metaphors. From the iconic "Worker and Kolkhoz Woman" sculpture by Vera Mukhina, capturing the spirit of Soviet unity, to Holbein's haunting "Dance of Death, " these artworks transcend their physical forms. Absinthe, known as the Green Fairy, becomes an allegory for temptation and indulgence. Its emerald elixir lures us into a realm where reality blurs with imagination. Meanwhile, in "Allegory of Music, " we witness how harmonious melodies can transport us beyond earthly boundaries. In "Mars, surrounded by the Arts and Sciences, " Ignorance is conquered as knowledge triumphs over darkness. This captivating oil painting reminds us that wisdom holds immense power against ignorance's grip. Similarly, "The Seasons: Spring" lithograph bursts forth with vibrant colors, symbolizing rebirth and new beginnings. Death itself becomes an allegorical figure in various forms - from skeletal figures reminding us of our mortality to The Grim Reaper wielding his scythe with solemn purpose. These depictions challenge our perception of life's transience while urging reflection on its fleeting nature. Traveling back centuries ago to medieval times reveals frescoes like "Allegory of Obedience. " Here obedience takes shape within a narrative that explores societal roles and expectations. Likewise, Brueghel Elder's masterpiece "Tower Babel" serves as a cautionary tale about human ambition reaching insurmountable heights. Finally, skulls adorned with crossbones serve as potent symbols throughout history - reminders that life inevitably meets its end but also representing rebellion or danger depending on context. Through these diverse examples spanning different mediums and eras emerges one common thread: allegories invite contemplation beyond what meets the eye. They challenge us to decipher hidden meanings, encouraging a deeper understanding of the human experience.