Adlard Collection

Hadgi (Mecca pilgrims) encamped near Antioch, on the banks of the Orontes, Turkey, 1841. Artist: Henry Adlard
Hadgi (Mecca pilgrims) encamped near Antioch, on the banks of the Orontes, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co

Franz Schubert / Adlard
FRANZ SCHUBERT Austrian musician

Psoriasis
5855398 Psoriasis; (add.info.: Varieties of the autoimmune skin disease Psoriasis. Handcoloured copperplate stipple engraving by John Pass from John Wilkes' "Encyclopedia Londinensis,")

Measles
5855402 Measles; (add.info.: Measles, Rubeola vulgaris and R. nigra. Handcoloured copperplate stipple engraving by John Pass from John Wilkes' "Encyclopedia Londinensis," J)

Purple spots and rose rash
5855400 Purple spots and rose rash; (add.info.: Skin diseases: Purple spots, Purpura simplex and P. haemorrhagica and rose rash, Exanthesis roseola)

Psoriasis
5855396 Psoriasis; (add.info.: Skin diseases: Prurigo nodularis and Psoriasis varieties. (Lepriasis is an obsolete term for psoriasis and leprosy)

Skin diseases of infants
5855399 Skin diseases of infants; (add.info.: Red gum or Strophulus, a skin disease affecting infants, and Lichen simplex, a thickening of the skin after pruritus)

Scalp and skin diseases
5855397 Scalp and skin diseases; (add.info.: Scalp diseases Porrigo crustacea and P. furfuracea, and skin diseases Ecthyma vulgaris and E)

Scarlet fever
5855393 Scarlet fever; (add.info.: Scarlet fever, Rosalia simplex and R. paristhmitica. Handcoloured copperplate stipple engraving by John Pass from John Wilkes' "Encyclopedia)

Sycosis
5855392 Sycosis; (add.info.: Sycosis barbae and Sycosis capilli, chronic inflammation of the hair follicles, especially of the beard and head)

Impetigo
5855391 Impetigo; (add.info.: Contagious skin diseases impetigo and rhypia. Handcoloured copperplate stipple engraving by John Pass from John Wilkes' "Encyclopedia Londinensis," J)

Scabies
5855394 Scabies; (add.info.: Ulcerous skin disease Ecthyma cachecticum, and the seven-year itch, Scabies purulenta and S. exotica, caused by the Sarcoptes scabiei mite)

Viaduct on the Baltimore & Washington Railroad, c1838. Artist: Henry Adlard
Viaduct on the Baltimore & Washington Railroad, c1838. Illustration after a painting by William Henry Bartlett (1809-1854) who visited the United States in the 1830s

HADES & DOG / ADLARD HADES & DOG / ADLARD
Hades, seated in profile with Cerberus his three-headed dog

Danejohn Hill, c1829. Creator: Henry Adlard
Danejohn Hill, c1829. The Dane John Mound, a former Roman cemetery at Canterbury in Kent, was converted into a motte-and-bailey castle in the 11th century

Falls of Niagara, mid 19th century. Creator: Henry Adlard
Falls of Niagara, mid 19th century. View of Niagara Falls, North America. [Longman & Co. London]

Rue du Chapeau Rouge, Bordeaux, mid 19th century. Creator: Henry Adlard
Rue du Chapeau Rouge, Bordeaux, mid 19th century. View of a street in the city of Bordeaux, southwestern France

A bridge at Eltham Palace, Kent, 1828. Artist: Henry Adlard
A bridge at Eltham Palace, Kent, 1828. View with cattle in the foreground

View of the London Bridge Station, Bermondsey, London, 1845. Artist
View of the London Bridge Station, Bermondsey, London, 1845

London Bridge Station, Bermondsey, London, 1845. Artist: Henry Adlard
London Bridge Station, Bermondsey, London, 1845. View of the London Terminus of the Brighton and Dover Railway. People stop to talk, (one is a man on crutches)

The Convict Ship, c1820. Artist: Henry Adlard
The Convict Ship, c1820. Transportation of convicts from Britain to Australia, parts of which were used as a penal colony

Lord Anson, 1762. Artist: Henry Adlard
Lord Anson, 1762. George Anson, 1st Baron Anson was a Royal Navy officer, and went on to be First Lord of the Admiralty during the Seven Years War. After Joshua Reynolds (1723-1792)

The Ruins of Carthage, c1850. Artist: Henry Adlard
The Ruins of Carthage, c1850. After Grenville Temple (1799-1847). [The London Printing and Publishing Company Limited, London, c1850]

St. Albans Abbey, 1859. Artist: Henry Adlard
St. Albans Abbey, 1859. A Church of England cathedral in St Albans, England with much of its architecture dating from Norman times

Canterbury Cathedral. Kent, c1831. Artist: Henry Adlard
Canterbury Cathedral. Kent, c1831. Henry Gastineau (1791-1876). [Geo Virtue, London]

Shakeseares Cliff, Dover. Kent, 1831. Artists: Henry Gastineau, Henry Adlard
Shakeseares Cliff, Dover. Kent, 1831. After Henry Gastineau (1791-1876). [Geo Virtue, London, 1831]

View of Oxford Castle, 1769. Oxford Castle is a partly ruined Norman medieval castle in Oxford, Oxfordshire, England. Most of the original structure was replaced in stone in the 11th century

Rochester Castle, Kent, mid 19th century. Artist: Henry Adlard
Rochester Castle, Kent, mid 19th century. Built on the site of a Roman fortification, this Norman castle was an important royal stronghold. It was besieged twice by rebel barons, in 1215 and 1264

Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Artist: Henry Adlard
Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Riblah was an ancient town on the northern frontier of Israel, 35 miles north-east of Baalbec, and 10 or 12 south of Lake Homs

Queen Charlotte (1744-1818) with the future King George IV (1762-1830), 19th century. Artist: Henry Adlard
Queen Charlotte (1744-1818) with the future King George IV (1762-1830), 19th century. King George IV was king of Great Britain and Ireland between 1820 and 1830

Mary Robinson (1757-1800), English poet and novelist, 1830. Artist: Henry Adlard
Mary Robinson (1757-1800), English poet and novelist, 1830. Robinson was also known for her role as Perdita (heroine of Shakespeares A Winters Tale) in 1779

Melon Islands, and Irrigating Wheel, China, c1840. Artist: Henry Adlard
Melon Islands, and Irrigating Wheel, China, c1840

Wesleyan Institute, Richmond, 19th century. Artist: Henry Adlard
Wesleyan Institute, Richmond, 19th century

City of Mexico, 1883. Artist: Henry Adlard
City of Mexico, 1883. View of Mexicos capital city

Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. Artist: Henry Adlard
Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. For many centuries the House of Orleans was one of the most important noble families in France

Palace of Saint-Cloud, Paris, France, 1875. Artist: Henry Adlard
Palace of Saint-Cloud, Paris, France, 1875. The residence of several French rulers, the Palace of Saint-Cloud near the River Seine was built in 1572

Explanation view ruins Pompeii exhibiting Panorama
Explanation of a view of the ruins of Pompeii, exhibiting at the Panorama, Leicester-Square, Description of a second view of the ruins of Pompeii and surrounding country

John Ericsson (Adlard)
JOHN ERICSSON Swedish-American inventor whose achievements ranged from telephones to warships. with his autograph, 1865 Date: 1803 - 1889

Disabled Dance Class
Disabled children are taught to dance by teacher Miss Betsy Adlard, using the special methods invented by Miss Margaret Morris. It is difficult for them, but fun. Date: 1930s

Cj Fox / Adlard / Profile
CHARLES JAMES FOX British statesman in profile Date: 1749 - 1806

Fenelon / Adlard
FRANCOIS DE SALIGNAC DE FENELON French divine and writer Date: 1651 - 1715

Alonso Cano / Adlard
ALONSO CANO Spanish painter, sculptor and architect Date: 1601 - 1667

Fg Klopstock / Adlard &j
FRIEDRICH GOTTLIEB KLOPSTOCK German writer, with a reference to his popular epic religious poem Der Messias below Date: 1724 - 1803

Gravesend, engraved by Henry Adlard, c. 1830 (engraving)
XJF472247 Gravesend, engraved by Henry Adlard, c.1830 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info)

Market day in Dartford, Kent, engraved by Henry Adlard, c. 1830 (engraving)
XJF472252 Market day in Dartford, Kent, engraved by Henry Adlard, c.1830 (engraving) by Shepherd, George (fl.1800-30) (after); Private Collection; (add.info)

Eltham Bridge, Kent, engraved by Henry Adlard, 1832 (engraving)
XJF472246 Eltham Bridge, Kent, engraved by Henry Adlard, 1832 (engraving) by Gastineau, Henry (1791-1876) (after); Private Collection; (add.info)

Rochester Bridge, engraved by H. Adlard, c. 1830 (engraving)
XJF465125 Rochester Bridge, engraved by H. Adlard, c.1830 (engraving) by Shepherd, George Sidney (1784-1862) (after); Private Collection; (add.info)

Cobbett (Adlard)
WILLIAM COBBETT social commentator and, it seems, an admirer of Oliver Cromwell

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"Capturing the Essence of Time: The Artistic Legacy of Henry Adlard" Step into a world where history comes alive through the masterful strokes of Henry Adlard. From Hadgi encampments near Antioch to the majestic Viaduct on the Baltimore & Washington Railroad, Adlard's art transports us to different eras and places. In his collaboration with Franz Schubert, Adlard beautifully captures the essence of their musical genius. The HADES & DOG series showcases his ability to intertwine mythology and imagination, creating captivating visual narratives. Adlard's talent extends beyond landscapes and mythical realms. His depiction of Danejohn Hill takes us back in time to witness its grandeur during the 19th century. Similarly, his portrayal of Niagara Falls mesmerizes viewers with its sheer power and natural beauty. Venturing into urban scenes, Adlard unveils Rue du Chapeau Rouge in Bordeaux—a snapshot frozen in time that invites us to stroll down its vibrant streets. Meanwhile, his rendering of Eltham Palace's bridge immerses us in an architectural marvel nestled within Kent's picturesque surroundings. London Bridge Station becomes a bustling hub under Adlard's brushstroke as he skillfully captures its energy and movement. This same level of detail is evident in his work depicting The Convict Ship—a haunting reminder of a bygone era that still resonates today. Finally, Lord Anson stands tall as one among many historical figures brought to life by Adlard's artistic prowess—an homage to those who shaped our past. Through each stroke and every scene depicted by Henry Adlard, we are transported across continents and centuries—witnessing moments frozen forever on canvas. His legacy lives on as a testament to the power art holds in preserving history for generations yet unborn.