1790 Collection (page 7)

Portrait Adriaan van der Goes Mr Adriaan van der Goes
Portrait of Adriaan van der Goes Mr. Adriaan van der Goes, bust to the left of Adriaan van der Goes in an oval. The portrait rests on a plinth on which his name

Portrait Christophorus Saxius professor Christophorus Saxius
Portrait of Christophorus Saxius, Portrait of the professor Christophorus Saxius, half-length. He wears a gown and leans with his right arm on a stone with an inscription in Latin

Map Jerusalem 11th map depicting Jerusalem surrounding mountains
Map of Jerusalem 11th map depicting Jerusalem with its surrounding mountains and valleys (...) (title on object), maps of separate countries or regions, Jan van Jagen (mentioned on object)

Portrait Isaac Sweers Isaac Sweers title object
Portrait of Isaac Sweers Isaac Sweers (title on object), bust to the right of Isaac Sweers in an oval. The portrait rests on a plinth on which his name and title are written in three lines in Dutch

Assassination Huguenot Gaspard de Coligny death
Assassination of Huguenot Gaspard de Coligny The death of the Admiral de Coligni. (title on object), Soldiers rush into a room

Ascension Christ Ascension Christ title object
Ascension of Christ Ascension of Christ (title on object), Christ is taken to heaven on the Mount of Olives. The apostles watch, the Ascension (Christ surrounded by radiant light or in a mandorla)

Equestrian statue Marcus Aurelius Rome Tommaso Cuccioni
Equestrian statue of Marcus Aurelius - Rome; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

L Innocence J. B. P Roman Louvre Tommaso Cuccioni
L Innocence by J.B.P. Roman, at the Louvre; Tommaso Cuccioni (Italian, 1790 - 1864); Paris, France; about 1852 - 1864; Albumen silver print

Column Marcus Aurelius Rome Tommaso Cuccioni
Column of Marcus Aurelius - Rome; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

Nymph Salmacis Bosio Tommaso Cuccioni Italian
The Nymph Salmacis, by Bosio; Tommaso Cuccioni (Italian, 1790 - 1864); Paris, France; about 1852 - 1864; Albumen silver print

Devise d illumination European vues d optique
Devise d une illumination, European vues d optique, Probst, Georg Balthasar, 1732-1801, Hand-colored etching, between 1766 and 1790, On the occasion of Joseph IIs coronation. Pin-pricked vue d optique

Le dedans du palais de l empereur Chine a Peking
Le dedans du palais de l empereur de Chine a Peking, European vues d optique, Blankaert, P. van, Nieuhof, Johannes, 1618-1672, Probst, Georg Balthasar, 1732-1801, Etching, engraving, hand-colored

Plate principal Front Bank showing disposition
Plate of the principal Front of the Bank showing the disposition of the Lamps and Transparent Paintings on the 24 of April 1789, Prints commemorating the recovery of King George III of England

Plate Transparency Exhibited House 10th March 1789
Plate from the Transparency Exhibited at this House on the 10th of March 1789 on the General Illumination for his Majestys Recovery, Prints commemorating the recovery of King George III of England

Confederation nationale du 14 juillet 1790 Prints
Confederation nationale du 14 juillet 1790, Prints of the French Revolution, 1774-ca. 1840, Etching, hand-colored, ca. 1790

Vue du Champ de Mars a l instant ou le Roi
Vue du Champ de Mars, a l instant ou le Roi, les deputes a l Assemblee nationale and les federes reunis, y prononcent le serment civique, le 14 j.et 1790, Prints of the French Revolution, 1774-ca

Vue des travaux du Champs de Mars par les Parisiens l an 1er de la liberte le 12 juillet 1790: le patriotisme surmonte tous les obstacles, Prints of the French Revolution, 1774-ca

Travaux du Champ de Mars pour la Confandedanderation du 14 juillet 1790. par les citoyens de Paris, Prints of the French Revolution, 1774-ca. 1840, Etching, tool work, col. hand-colored, ca. 1790

Cupidon tambour major national Prints French Revolution
Cupidon, tambour major national, Prints of the French Revolution, 1774-ca. 1840, Etching, black-and-white, ca. 1790

Print Transparent Painting exhibited 24th April
Print from the Transparent Painting exhibited on 24th April 1789 in the front of the Bank in celebration of His Majestys complete recovery and Public Visit

Plate 3 Descripcion historica y cronologica
Plate 3, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

Plate 2 Descripcion historica cronologica
Plate 2, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

Plate 1 Descripcion historica cronologica
Plate 1, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

Plate 3 Descripcion historica cronologica
Plate 3, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

Preparations Festival Federation Duplessi-Bertaux
Preparations for the Festival of Federation, Duplessi-Bertaux, Jean, 1750-1818, Pen, ink, wash, 1790

Amalthea Jupiter Goat Julien Tommaso Cuccioni
Amalthea and Jupiters Goat, by Julien; Tommaso Cuccioni (Italian, 1790 - 1864); Paris, France; about 1852 - 1864; Albumen silver print

Piazza del Popolo Rome Tommaso Cuccioni Italian
Piazza del Popolo - Rome; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

Cloister San Paolo Rome Tommaso Cuccioni Italian
Cloister, San Paolo - Rome; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

View Gaiola Pierre-Jacques Volaire French 1729
View of Gaiola; Pierre-Jacques Volaire (French, 1729 - 1799); about 1770 - 1790; Oil on canvas; 66 x 95.9 cm (26 x 37 3, 4 in.)

Windmills Canal Antonie Erkelens Dutch 1774 1804
Windmills on a Canal; Antonie Erkelens (Dutch, 1774 - 1804); Netherlands; about 1790 - 1800; Watercolor and pen and brown ink; 21 x 28.7 cm (8 1, 4 x 11 5, 16 in.)

Saint Peter Basilica Rome Tommaso Cuccioni Italian
Saint Peters Basilica, Rome; Tommaso Cuccioni (Italian, 1790 - 1864); Rome, Italy; about 1852 - 1864; Albumen silver print

Wooded Landscape Paulus van Liender Dutch 1731
Wooded Landscape; Paulus van Liender (Dutch, 1731 - 1797); about 1780 - 1790; Pen and gray ink and wash over black chalk; 32 x 29 cm (12 5, 8 x 11 7, 16 in.)

Column Trajan Tommaso Cuccioni Italian 1790 1864
Column of Trajan; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

View Campo San Polo Francesco Guardi Italian
View of Campo San Polo; Francesco Guardi (Italian, 1712 - 1793); about 1790; Pen and brown ink and brown wash over black chalk; 19.2 x 28.6 cm (7 9, 16 x 11 1, 4 in.)

Villa Medici Rome Tommaso Cuccioni Italian 1790
Villa Medici - Rome; Tommaso Cuccioni (Italian, 1790 - 1864); 1850 - 1859; Albumen silver print

Paneled Room Jean-Pierre Ledoux French active 1753
Paneled Room; Jean-Pierre Ledoux (French, active 1753 - 1761), Painted panels by Jean-Simeon Rousseau de la Rottiere (French, 1747 - 1820 (master 1771)), and Jules-Hughes Rousseau (French)

Venus Reclining Sea Monster Cupid Putto John Deare
Venus Reclining on a Sea Monster with Cupid and a Putto; John Deare (English, 1759 - 1798); Great Britain; 1787, 88 - 1790; Marble; 33.7 × 58.4 × 11.2 cm (13 1, 4 × 23 × 4 7, 16 in.)

Child Oedipus Revived Shepherd Phorbas Chaudet
The Child Oedipus Revived by the Shepherd Phorbas, by Chaudet; Tommaso Cuccioni (Italian, 1790 - 1864); Paris, France; about 1852 - 1864; Albumen silver print

Chalice Vine 1790 Maria Catharina Prestel German
Chalice Vine, 1790. Maria Catharina Prestel (German, 1747-1794). Etching and aquatint

Portrait Man 1790 Richard Cosway British 1742-1821
Portrait of a Man, c. 1790. Richard Cosway (British, 1742-1821). Watercolor on ivory in a gold frame with blue and white enamel; framed: 5.9 x 5 cm (2 5/16 x 1 15/16 in.); unframed

Portrait Maria Wilhelmine Countess Thun-Hohenstein
Portrait of Maria Wilhelmine, Countess Thun-Hohenstein, c. 1790. Heinrich Friedrich Fuger (German, 1751-1818). Watercolor on ivory in an ormolu frame; framed

Courtesan Chozan Chojiya 1790 Utagawa Toyokuni
The Courtesan Chozan of the Chojiya, c. 1790. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; sheet: 62 x 9.6 cm (24 7/16 x 3 3/4 in.)

Soldier Bending Bow Bousseau Tommaso Cuccioni
Soldier Bending His Bow, by Bousseau; Tommaso Cuccioni (Italian, 1790 - 1864); Paris, France; about 1852 - 1864; Albumen silver print

Peasants Farm-cart 1790 Giovanni Domenico Tiepolo
Peasants with a Farm-cart, c. 1790. Giovanni Domenico Tiepolo (Italian, 1727-1804). Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalk; sheet

Courtesans Promenading Nakanocho 1790 Utagawa Toyokuni
Courtesans Promenading on the Nakanocho, c. 1790. Utagawa Toyokuni (Japanese, 1769-1825). Triptych: color woodblock print; overall: 37.8 x 25.8 cm (14 7/8 x 10 3/16 in.)

Courtesan Kisagata Ohishiya Strolling Night Two Shinzo
The Courtesan Kisagata of Ohishiya Strolling at Night with Two Shinzo and a Kamuro, c. 1790. Chōbunsai Eishi (Japanese, 1756-1829). Color woodblock print; sheet: 37.8 x 24.5 cm (14 7/8 x 9 5/8 in.)

Storming Bastille July 14 1789 1790 Charles Thevenin
The Storming of the Bastille, July 14, 1789, 1790. Charles Thevenin (French, 1764-1838). Etching; sheet: 41.6 x 58.5 cm (16 3/8 x 23 1/16 in.); image: 36.9 x 58.1 cm (14 1/2 x 22 7/8 in.)

Farmhouse Trees 1790 Christoph Nathe German 1753-1806
Farmhouse behind Trees, c. 1790. Christoph Nathe (German, 1753-1806). Watercolor and graphite on antique laid paper; sheet: 24.2 x 32.3 cm (9 1/2 x 12 11/16 in.)

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In the year 1790, a myriad of fascinating events and individuals shaped history. The Light Dragoons, an esteemed cavalry regiment established in 1790, would go on to serve their country with honor for over two centuries until their disbandment in 1992. Meanwhile, Boxer Daniel Mendoza showcased his formidable skills within the ring during this era, captivating audiences with his prowess and agility. Artistic brilliance flourished as well; Bewick's intricate engravings immortalized the tenacious Honey Badger while Fortunio Matania's masterpiece depicted a fish pontoon at Grimsby, capturing the essence of maritime life. Flora MacDonald emerged as a Scottish Jacobite heroine whose bravery and loyalty inspired many. The Blackheath Goffer brought joy to countless children with its whimsical entertainment value while August Ferdinand Möbius revolutionized mathematics through his groundbreaking discoveries. Cyclists pedaled through picturesque landscapes adorned with windmills, embracing both nature and adventure. Bermondsey Abbey Gateway stood tall as a testament to history's enduring legacy while street sausage sellers tantalized passersby with mouthwatering aromas. The Hare by Bewick embodied grace and elegance in its depiction, showcasing nature's beauty frozen in time. Amidst it all, an alchemist diligently worked towards unlocking the secrets of transmutation and eternal life - epitomizing mankind's ceaseless pursuit of knowledge and understanding. As we reflect upon the wonders that unfolded in 1790, let us cherish these diverse threads that weave together our shared human experience - from valiant soldiers to talented artists; from courageous heroines to innovative thinkers; from simple pleasures like sausages on street corners to profound mysteries waiting to be unraveled.