1510 Collection

Pen and ink studies, c1510, by Leonardo da Vinci of a human fetus
LEONARDO: HUMAN FETUS. Pen and ink studies, c1510, by Leonardo da Vinci of a human fetus

Christ on the cold stone. Eastern Netherlands, around 1510. Museum Catharijneconvent. Utrecht. Netherlands

Pen and ink studies by Leonardo da Vinci, c1510-11, of the human hand
LEONARDO: HANDS, c1510. Pen and ink studies by Leonardo da Vinci, c1510-11, of the human hand

Pen and ink studies by Leonardo da Vinci, c1510, of human thorax, pelvic, and leg bones
LEONARDO: THORAX, c1510. Pen and ink studies by Leonardo da Vinci, c1510, of human thorax, pelvic, and leg bones

Pen and ink studies of the human spinal column by Leonardo da Vinci, c1510-11
LEONARDO: ANATOMY, c1510. Pen and ink studies of the human spinal column by Leonardo da Vinci, c1510-11

Tournament Tents (Shaw)
A representation of the tents at a tournament (possibly designed for Henry VIII for the Field of the Cloth of Gold)

St Francisco De Borgia 1
saint FRANCISCO DE BORGIA Spanish noble and churchman at court of Carl V, when his wife died became Jesuit, General of the order, sent missions to America, made a saint

Woman with Unicorn, Anonymous, c. 1510

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903696 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903750 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510. (c)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903655 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903715 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510. (c)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903802 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903732 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510. (c)

Qajar polychrome lacquered papier-mache qalamdan (pen case) painted with a scene of the Last Judgement
CH47039 Qajar polychrome lacquered papier-mache qalamdan (pen case) painted with a scene of the Last Judgement, the damned to the left, the sacred to the right, c.1880

Qajar qalamdan painted with a scene of Shah Ismail defeating the Uzbeks, c.1860 (papier mache) (detail of 47039)
869973 Qajar qalamdan painted with a scene of Shah Ismail defeating the Uzbeks, c.1860 (papier mache) (detail of 47039); Private Collection; (add.info)

Saint Veronica between Saints Peter and Paul, 1510. Creator: Dürer, Albrecht (1471-1528)
Saint Veronica between Saints Peter and Paul, 1510. Private Collection

Portrait of a Young Woman as a Wise Virgin (Portrait of Vittoria Colonna), c. 1510. Found in the collection of the National Gallery of Art, Washington

Saint Jerome, c. 1510. Creator: Unknown
Saint Jerome, c. 1510

Man Seated by a Palm Tree, c. 1510/1515. Creator: Benedetto Montagna
Man Seated by a Palm Tree, c. 1510/1515

Detail from the Disputation of the Sacrament Fresco by the Italian Renaissance artist Raphael
5305495 Detail from the Disputation of the Sacrament Fresco by the Italian Renaissance artist Raphael by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

The Liberation of Saint Peter (detail) from a fresco painting by the Italian High Renaissance artist Raphael
5305492 The Liberation of Saint Peter (detail) from a fresco painting by the Italian High Renaissance artist Raphael by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Gentlemen of Rome, 1510
5855260 Gentlemen of Rome, 1510 by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Gentlemen of Rome, 1510, from a fresco by Raphael, one kneeling in green and red striped skirt and bodice)

Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest
990126 Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest (tempera on panel) by Master of the Pavia Deposition (fl.1510)

Armour from 1510
Suit of puffed and engraved armour from 1510. Date: 1510

Erasmus (engraving)
1107673 Erasmus (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Erasmus. Illustration for The Illustrated London News)

The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print)
1767104 The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

GERMAN TEACHER / PUPILS
A German schoolteacher and his pupils, having a lesson out of doors. Date: 1510

GERMAN MERCHANT CHARITY
A German merchant digs into his money-bags and hands a fistful of coins to a poor family. Date: circa 1510

EyeUbiquitous_20099318
England, East Sussex, Brighton, The Lanes The Druids Head one of the oldest pubs in the city dating from 1510 with flower in hanging baskets

Crown of Thorns, also known as the insults by El Bosco

Virtues win to Vices. Flemish tapestry 1510 c
Crucifixion and Virtues win the battle to Vices. ca. 1510. Victory due to the sacrifice of Christ. Cloth number 7 of the series known as Redemption of Man or Vices and Virtues

Writing and drawings by Leonardo da Vinci, illustrating the theory that the earth has a core of water
DA VINCI: EARTH. Writing and drawings by Leonardo da Vinci, illustrating the theory that the earth has a core of water, and his ideas on how mountains are formed, from the Codex Leicester, 1506-1510

birth Christ inside hll. Hieronymus Augustinus
The birth of Christ (inside), The hll. Hieronymus, Augustinus and Hubertus (outside), 1510, mixed media on fir wood, 166.5 x 127 cm, monogrammed and dated lower right on the stone: 15010 [sic

William IV Unknown German Prince William IV Country Count
William IV, Unknown German Prince called William IV Country Count of Hessen-Kassel, painting, 1510, Oil on canvas, Height, 27 cm (10.6 inches), Width, 22 cm (8.6 inches)

Triptych lamentation Christ Cornelis Engebrechtsz
Triptych with the lamentation of Christ, Cornelis Engebrechtsz, Leiden, 1508 - 1510

Gathering Manna inner right wing triptych Right side panel
Gathering of Manna (inner, right wing or a triptych), Right side panel of an altarpiece with the Mannaregen on the inside

Portrait Willem Fransz Overrijn Schoterbosch
Portrait of Willem Fransz Overrijn from Schoterbosch (c. 1510-?), Portrait of Willem Fransz Overrijn from Schoterbosch (born ca. 1510)

Portrait Pieter Salina half-length standing kneeling
Portrait of Pieter Salina, half-length, standing or kneeling to the right, at a table on which he is holding a book with both hands. Top right the family crest. Maybe a copy by Cornelis Engelsz

Virgin Child Maria Mary standing next Christ child sitting
Virgin and Child, Maria with Child. Mary standing next to the Christ child sitting on a balustrade cushion with a bird in her hands, Madonna: Mary standing (or half-length)

Holy Family Mary sits bench decorated relief work
The Holy Family, The Holy Family. Mary sits on a bench decorated with relief work with the Christ child on her knee, Mary sitting or excited

Madonna Child Maria Christ child arms Standing
Madonna and Child, Maria with the Christ child on her arms. Standing, half-way, by a window overlooking a landscape, Mary standing (or half-length)

Triptych Virgin Child Saints center male Donor
Triptych with Virgin and Child with Saints (center), male Donor with Saint Martin (left, inner wing), female Donor with Saint Cunera (right, and the Annunciation (outer wings)

Annunciation Virgin Mary Maria kneeling front
Annunciation to the Virgin, The Annunciation to Mary. Maria kneeling in front of a reading person in her bedroom looks up from the book in front of her. In the background her bed

Crucifixion Kruisberg figures various epiodes
The Crucifixion, Kruisberg with many figures and various epiodes from the Passion. In the center Christ on the cross, with four angels who collect the blood

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In the year 1510, Leonardo da Vinci's remarkable talent and curiosity knew no bounds. Through his pen and ink studies, he delved into the intricate details of human anatomy, capturing the essence of life itself. His c1510 sketches of a human fetus reveal his relentless pursuit to understand the beginnings of existence. Meanwhile, in the Eastern Netherlands, an artist depicted Christ on a cold stone around the same time. The chilling portrayal evokes a sense of solemnity and contemplation as we witness Christ's sacrifice for humanity. Leonardo continued his exploration with pen and ink studies of various body parts - from hands to thorax, pelvic bones to leg bones. Each stroke captured not only their physical structure but also hinted at their hidden secrets. The human spinal column became another subject that fascinated da Vinci during this period. His meticulous attention to detail shines through in these c1510-11 drawings, showcasing both its complexity and beauty. Not limited to anatomy alone, Leonardo expanded his artistic repertoire by studying arm muscles and superficial vessels. With every stroke of his pen, he unraveled layers upon layers of knowledge about our own bodies. Beyond anatomical studies lay other captivating works from 1510. St Francisco De Borgia emerges as a figure shrouded in mystery while Tournament Tents transport us back to an era filled with chivalry and grandeur. An intriguing glimpse into history comes in the form of heart anatomy from the 16th century - a testament to mankind's enduring fascination with understanding our most vital organ. Anonymous yet enchanting is "Woman with Unicorn, " painted circa 1510. This enigmatic artwork invites us into a world where reality merges seamlessly with mythological symbolism. Virtues triumph over vices in Flemish tapestry created around 1510 - an exquisite weaving that reminds us how timeless moral lessons can be conveyed through artistry alone. Lastly, Villa Farnesina stands proudly in Rome, Italy, a testament to architectural brilliance.