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The Chinese Expedition into Tonkin, from Le Figaro (coloured engraving)
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The Chinese Expedition into Tonkin, from Le Figaro (coloured engraving)
XIR212587 The Chinese Expedition into Tonkin, from Le Figaro (coloured engraving) by French School, (19th century); Musee des Arts d Afrique et d Oceanie, Paris, France; (add.info.: French under command of General Negrier; ); French, out of copyright
Media ID 12759157
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Cannons Colonisation Colony Conquest Indochina South East Asia Tongking Tonking Vietnam
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The Chinese Expedition into Tonkin - A Glimpse into the Franco-Chinese War
EDITORS COMMENTS
. This coloured engraving, taken from Le Figaro, offers a vivid portrayal of the historic Chinese expedition into Tonkin during the late 19th century. The image showcases an intense battle scene in Vietnam, where French troops under the command of General Negrier engage in fierce combat against their adversaries. The print captures the chaos and brutality of war as soldiers valiantly fight amidst billowing smoke and exploding cannons. It serves as a testament to the determination and bravery exhibited by both sides during this significant conflict. Depicting a pivotal moment in history, this artwork sheds light on France's colonial ambitions in Southeast Asia. The conquest of Tonkin was part of France's larger plan to establish its dominance over Indochina, leading to eventual colonization and empire-building efforts throughout the region. Displayed at Musee des Arts d'Afrique et d'Oceanie in Paris, this print not only preserves historical events but also highlights how art can serve as a powerful medium for storytelling. It invites viewers to reflect upon the complexities of imperialism and warfare while appreciating the artistic skill employed by French School artists. As we gaze upon this remarkable piece, we are transported back to a time when nations clashed for power and control. It reminds us that within every stroke lies tales of triumphs and tragedies—stories that continue to shape our understanding of global history today.
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