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Pope Pius VII (Luigi Barnaba Chiaramonti) (1742-1823) attending chapel, 1820

Pope Pius VII (Luigi Barnaba Chiaramonti) (1742-1823) attending chapel, 1820


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Pope Pius VII (Luigi Barnaba Chiaramonti) (1742-1823) attending chapel, 1820

PWI83813 Pope Pius VII (Luigi Barnaba Chiaramonti) (1742-1823) attending chapel, 1820 by Ingres, Jean Auguste Dominique (1780-1867); 69.5x55.5 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

Media ID 22785538

© Peter Willi / Bridgeman Images

Feet Franciscan Monk Friar Kissing Pape Sistine Vatican


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> Arts > Artists > I > Jean Auguste Dominique Ingres

> Arts > Artists > I > Jean Auguste Ingres

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> Europe > France > Paris > Museums > The Louvre

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> Europe > France > Paris > Sights > Louvre

> Europe > Vatican City > Paintings

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EDITORS COMMENTS
This print captures a significant moment in history as Pope Pius VII, also known as Luigi Barnaba Chiaramonti, attends chapel in 1820. The image showcases the revered pontiff seated on his majestic throne, surrounded by the solemn ambiance of the chapel. Pope Pius VII's devout presence is palpable as he engages in prayer and contemplation, his feet firmly planted on the ground symbolizing his connection to both earthly matters and divine spirituality. A friar stands nearby, adding an air of reverence to this sacred scene. Ingres' masterful brushstrokes bring out every intricate detail of this painting that now resides at the Louvre Museum in Paris, France. The artist skillfully captures not only the physical likeness of Pope Pius VII but also conveys a sense of serenity and wisdom emanating from him. The composition is further enriched by subtle elements such as a pie placed before the pontiff, representing humble sustenance amidst spiritual devotion. A Franciscan monk can be seen kissing Pope Pius VII's hand with utmost respect and admiration. This remarkable artwork transports us back to a time when faith played an integral role in society and reminds us of the profound influence that religious leaders like Pope Pius VII had during their reigns. It serves as a testament to Ingres' talent for capturing human emotion through portraiture while immortalizing an important figure in Catholic history.

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