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Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures

Cover of ' Les Corbeaux (Paris)', number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite / Avarice, Eg opposee au peuple, Denier de St Pierre - Cures


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Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures

ICA4875303 Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures; (add.info.: Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures); Photo © Caricadoc

Media ID 38479934

© © Caricadoc / Bridgeman Images

Anticlericalism Avarice Carnival Casket Charity Circus Cupidite Disguising Donation Misery Pauper Quest Sign A Journal Caricadoc Religious Role


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> Europe > France > Paris > Music

> Fine Art Finder > Artists > Spanish School (after)

> Popular Themes > Money


EDITORS COMMENTS
This striking print captures the cover of "Les Corbeaux (Paris)" from 1908, showcasing a satirical and colorful depiction of anti-clericalism. The image focuses on the sin of greed, with avarice symbolized by a clergyman holding money while turning his back on the people. The scene includes elements such as Cupidite/Avarice, Eg opposee au peuple, and Denier de St Pierre - Cures, all cleverly woven into the intricate design. The artwork reflects societal commentary on religious figures and their perceived shortcomings, highlighting themes of poverty, charity, and deception. Through caricature and symbolism, the artist conveys a powerful message about the dangers of greed and hypocrisy within religious institutions. The composition is rich in detail, with elements like musical instruments, carnival imagery, and paupers adding layers of meaning to the overall narrative. The use of vibrant colors and dynamic lines creates a visually engaging piece that invites viewers to contemplate its deeper implications. Overall, this print serves as a thought-provoking reminder of the complexities inherent in human nature and society's relationship with organized religion. It is a testament to both artistic skill and social critique that continues to resonate with audiences today.

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