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Thomas Bewick, c. 1814 (oil on canvas)

Thomas Bewick, c. 1814 (oil on canvas)


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Thomas Bewick, c. 1814 (oil on canvas)

TW426977 Thomas Bewick, c.1814 (oil on canvas) by Nicholson, William (1781-1844); 127.2x101.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Thomas Bewick (1753-1828); The Newcastle artist and wood-engraver Thomas Bewick was famous for his studies of birds and animals. Bewick liked this large oil painting of himself, calling it a grand portrait. On the table behind him are copies his books. He holds a graver, the tool of his craft, in his hand. The dog beside him belonged to his friend, the bookseller Emerson Charnley. The picture was painted by Bewicks friend, the Newcastle artist William Nicholson. Nicholson exhibited this portrait in Edinburgh to advertise his skill when he moved there in 1814; ); eTyne & Wear Archives & Museums; Scottish, out of copyright

Media ID 22919178

© Tyne & Wear Archives & Museums / Bridgeman Images

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FEATURES IN THESE COLLECTIONS

> Animals > Related Images

> Arts > Artists > B > Thomas Bewick

> Arts > Artists > B > William Bewick

> Arts > Artists > H > Thomas Hand

> Arts > Artists > N > William Nicholson

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Animal portraits

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Portraits

> Fine Art Finder > Artists > Pietro Antoniani

> Fine Art Finder > Artists > William Nicholson

> Fine Art Finder > Men 19th & Early 20th Century


EDITORS COMMENTS
This print showcases the esteemed artist and wood-engraver, Thomas Bewick, in all his grandeur. Painted by his dear friend William Nicholson around 1814, this oil on canvas portrait measures an impressive 127.2x101.6 cm and is housed at the Laing Art Gallery in Newcastle-upon-Tyne, UK. Thomas Bewick was renowned for his meticulous studies of birds and animals, making him a revered figure in the art world. He held this large painting of himself in high regard, considering it a magnificent representation of his persona. In the background lies a table adorned with copies of his books, symbolizing his literary contributions to accompany his artistic talents. In this portrait, Bewick proudly holds a graver - the tool that defined his craft - firmly grasped within his hand. By including Emerson Charnley's loyal canine companion beside him, we gain insight into Bewick's personal connections and friendships. William Nicholson exhibited this remarkable artwork in Edinburgh as he sought to showcase both Bewick's brilliance and advertise his own skills upon relocating there in 1814. Through this photograph print from Fine Art Finder provided by Bridgeman Images, we are transported back to witness Thomas Bewick seated regally with an air of confidence emanating from every brushstroke captured on canvas.

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