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Abraham and Isaac, 1421 (gilded marble)

Abraham and Isaac, 1421 (gilded marble)


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Abraham and Isaac, 1421 (gilded marble)

BAT192534 Abraham and Isaac, 1421 (gilded marble) by Donatello, (c.1386-1466); Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Media ID 22931318

© Nicolò Orsi Battaglini / Bridgeman Images

Agony Anguish Bound Dagger Distress Knife Obedient Sacrifice Santa Maria Del Fiore Tied Up


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EDITORS COMMENTS
This print captures the profound emotional intensity of Donatello's masterpiece, "Abraham and Isaac". Created in 1421, this gilded marble sculpture resides in the Museo dell Opera del Duomo in Florence, Italy. The photograph by Nicolo Orsi Battaglini beautifully showcases the intricate details and raw emotions depicted in this Renaissance artwork. In this poignant scene, Abraham is shown kneeling with his bound son Isaac beside him. With a pained expression on his face and a dagger held high above them, Abraham grapples with the anguish of obeying God's orders to sacrifice his beloved child. The statue perfectly conveys their distress through its masterful use of dampfold technique, highlighting every contour of their naked bodies. Donatello's attention to detail is evident in every aspect of this sculpture; from Abraham's flowing beard and moustache to Isaac's vulnerable nudity. The composition exudes tension as it captures the moment before ultimate obedience or divine intervention. Commissioned for Santa Maria del Fiore Cathedral, "Abraham and Isaac" serves as a testament to faith and sacrifice. It reminds us of the moral dilemmas faced by humanity throughout history while showcasing Donatello's exceptional skill as a sculptor. This print allows viewers to appreciate not only Donatello’s artistic genius but also Orsi Battaglini’s ability to capture its essence through photography. A powerful portrayal that continues to resonate centuries later - an enduring symbol of devotion tested against unimaginable

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