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Obverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold)
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Obverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold)
475771 Obverse of the Tari of Amalfi with pseudo-cufic epigraphy (gold) by Italian School, (11th century); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Created after 1038, it was modelled after the Fatimid quarter-dinar of al-Mu izz. The tarA, or quarter-dinar, struck by the Aghlabid caliphs in Sicily after their conquest of Syracuse in 878. On the obverse, these coins carry the Muslim profession of the faith, There is no God but God, Muhammad is the Prophet of God, while the reverse identifies the ruler and, in the outer ring, the mint and hegira date, reckoned in lunar years from Muhammads flight from Mecca to Medina in July 622 AD); eFitzwilliam Museum; Italian, out of copyright
Media ID 22668010
© Fitzwilliam Museum / Bridgeman Images
Coinage Currency Gold Coin Moslem
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EDITORS COMMENTS
The captivating print showcases the obverse of the Tari of Amalfi with pseudo-cufic epigraphy in stunning gold. Created by the Italian School in the 11th century, this masterpiece can be found at the Fitzwilliam Museum, University of Cambridge, UK. Modeled after the Fatimid quarter-dinar of al-Mu'izz and struck by the Aghlabid caliphs in Sicily after their conquest of Syracuse in 878, this coin holds immense historical significance. On its obverse side, it proudly displays a profound Muslim profession of faith: "There is no God but God, Muhammad is the Prophet of God". Meanwhile, on its reverse side lies valuable information about both ruler and mint. The intricate design and delicate craftsmanship make this piece truly remarkable. Its outer ring reveals lunar years from Muhammads flight from Mecca to Medina in July 622 AD – an important marker for Islamic history. This print allows us to appreciate not only its aesthetic beauty but also serves as a window into a rich cultural heritage. The combination of cufic script and Islamic symbolism reflects a time when art seamlessly merged with religion and politics. As we gaze upon this image, we are transported back centuries ago when these coins were used as currency – tangible artifacts that tell stories beyond their material worth. It reminds us that even small objects like these hold immense historical value and deserve our attention and admiration today.
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