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The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897 (oil on canvas)
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The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897 (oil on canvas)
7268526 The Flight of Antony and Cleopatra from the Battle of Actium, c.1897 (oil on canvas) by Pringle, Agnes (1853-1934); 99.6x198.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: This historical journey marked the beginning of the end for Queen Cleopatra of Egypt and her lover, the Roman commander Mark Antony. They are shown fleeing on Cleopatras barge after their defeat in battle against the Roman Emperor Augustus. Cleopatra later killed herself with the bite of a snake, and Antony fell on his sword. Pictures of subjects from ancient Roman history were popular in 19th-century Britain. Agnes Pringle was born in Gateshead, and studied art in Newcastle before settling in London.); Tyne & Wear Archives & Museums
Media ID 25469688
© Tyne & Wear Archives & Museums / Bridgeman Images
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The Flight of Antony and Cleopatra from the Battle of Actium, c. 1897
EDITORS COMMENTS
. This print captures a pivotal moment in history, as depicted in Agnes Pringle's oil on canvas masterpiece. The image showcases Queen Cleopatra of Egypt and her lover, Mark Antony, desperately fleeing on Cleopatra's barge after their devastating defeat at the hands of Roman Emperor Augustus. The painting symbolizes the beginning of the end for this legendary couple whose love affair shook empires. As they navigate through treacherous waters, their expressions reveal a mix of fear, determination, and resignation to their fate. The viewer can almost feel the tension and urgency emanating from the scene. Cleopatra's decision to take her own life with a snakebite is foreshadowed by this dramatic escape attempt. Meanwhile, Antony's ultimate demise by falling on his sword hangs heavy in the air. During 19th-century Britain, depictions of ancient Roman history were highly sought-after among art enthusiasts. Agnes Pringle herself was born in Gateshead and honed her artistic skills in Newcastle before establishing herself in London. This remarkable artwork serves as a reminder that even great rulers are not immune to tragedy and downfall. It invites us to reflect upon themes such as power struggles, love against all odds, and ultimately facing one's destiny with courage or despair.
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