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Agnes, from The School for Wives by Moliere, 1875 (coloured engraving)
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Agnes, from The School for Wives by Moliere, 1875 (coloured engraving)
1728994 Agnes, from The School for Wives by Moliere, 1875 (coloured engraving) by French School, (19th century)
Media ID 25300643
© Bridgeman Images
17th Apron Aprons Dramatist Jean Baptiste Poquelin Moliere Moliere 1622 1673 Overall Apron Play Theatre Playwrights Playwriter Principal Theatres Reenactments Siecle Tablier Theater Performance Theater Show Theatre Play Tragedian Xviie 17 17th 17th 17th Xvii 18th Century Authors Book Author C European Economic Community C European Union Circa 1600 Early 17th Century Early Xvii Century Gravure Litaerature Playwright Seventeeth Century The Woman
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This coloured engraving from 1875 depicts Agnes, a character from the renowned play "The School for Wives" by Moliere. The French School of the 19th century masterfully brings to life this historic scene, capturing the essence of the 17th century with intricate detail and vibrant colours. Agnes stands at the center of attention, her apron serving as a symbol of domesticity and femininity in this era. As a woman living in France during this time, she represents both societal expectations and the struggles faced by women. This image transports us back to an epoch where literature played a significant role in shaping cultural norms and values. Moliere, born Jean-Baptiste Poquelin (1622-1673), was one of France's most celebrated writers and playwrights. His works continue to be revered for their wit, social commentary, and theatrical brilliance. Through his characters like Agnes, Moliere explored themes such as love, marriage, gender roles, and human folly. This print not only captures Agnes' beauty but also serves as a testament to Moliere's enduring legacy within French culture and European literature. It reminds us of the power that art possesses in preserving history while offering insights into past societies. As we gaze upon this enchanting engraving by Bridgeman Images from Fine Art Finder, we are transported back to early 17th-century France—a time when theatre was alive with passion and intrigue—and reminded of the timeless allure that great works of art hold over our imaginations.
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