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La chute de l homme: la Vierge en mere de douleur - The Fall of Man
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La chute de l homme: la Vierge en mere de douleur - The Fall of Man
FIA5406528 La chute de l homme: la Vierge en mere de douleur - The Fall of Man: The Virgin as the Mother of Sorrows - Lucas Cranach, the Elder (1472-1553). Oil on wood, ca 1510-1520. Dimension : 137x54 cm. Art History Museum, Vienne by Cranach, Lucas, the Elder (1472-1553); Kunsthistorisches Museum, Vienna, Austria; Photo eFine Art Images; German, out of copyright
Media ID 23732802
© Fine Art Images / Bridgeman Images
Blessed Virgin Misfortune Suffering Mourning Sadness
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EDITORS COMMENTS
This print showcases Lucas Cranach the Elder's masterpiece, "La chute de l'homme: la Vierge en mère de douleur - The Fall of Man: The Virgin as the Mother of Sorrows". Created between 1510 and 1520, this oil painting on wood measures an impressive 137x54 cm and is housed in the Art History Museum in Vienna. Cranach's artwork depicts a poignant biblical scene from Genesis, where Adam and Eve succumb to temptation and are banished from paradise. However, what sets this piece apart is its unique portrayal of the Virgin Mary as the embodiment of sorrow over humanity's misfortune. This unconventional interpretation adds depth to the narrative by emphasizing her role as a mother figure who mourns our collective suffering. The German Renaissance artist masterfully captures emotions through his meticulous brushwork and attention to detail. Every stroke conveys sadness, mourning, and profound religious significance. Cranach's ability to evoke such powerful sentiments makes this painting a timeless representation of human frailty and redemption. As we gaze upon this remarkable print, we are transported back to a pivotal moment in history when faith played an integral part in people's lives. It serves as a reminder that even amidst hardship, there is solace in finding compassion within our shared experiences. Lucas Cranach the Elder's "La chute de l'homme" continues to inspire contemplation on themes of religion, artistry, and our eternal quest for meaning beyond mere existence.
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