Lo spellato' (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence. Museo Nazionale del Bargello

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Lo spellato' (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence. Museo Nazionale del Bargello

BEN5479860 Lo spellato' (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence. Museo Nazionale del Bargello by Cardi, Ludovico (1559-1613) ; Museo Nazionale del Bargello, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Media ID 38510336

© Photo © Raffaello Bencini / Bridgeman Images

16eme Siecle 17eme Siecle Anatomie Corps Internal Anatomy Italie Nude Body Nudite 17th Centuries Anatomist Art Fine Art C16h Cinquecento Homme Semi Nude

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EDITORS COMMENTS
This stunning bronze sculpture, titled "Lo spellato' (The bark)," was created by Ludovico Cardi, also known as Le Cigoli, in the 16th century. The intricate details of this piece showcase Cardi's mastery of anatomy and his skill in capturing the human form. Displayed at the Museo Nazionale del Bargello in Florence, Italy, this sculpture is a true testament to the artistic talent of the Italian Renaissance period. The lifelike representation of a man's body, with its exposed muscles and sinews, is both captivating and thought-provoking. Cardi's work reflects not only his technical prowess but also his deep understanding of human anatomy. The way he has depicted the internal structures of the body is both educational and aesthetically pleasing. As you gaze upon this masterpiece, you can't help but be drawn into its beauty and complexity. The play of light on the bronze surface adds another dimension to the sculpture, highlighting its craftsmanship and attention to detail. "Lo spellato' (The bark)" stands as a timeless example of Renaissance artistry and continues to inspire viewers centuries after it was created. It serves as a reminder of the enduring legacy of artists like Ludovico Cardi who pushed boundaries and redefined what was possible in art.

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