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The Submission of the Mamelukes to Napoleon Bonaparte during the Egyptian Campaign, 1798 (litho)
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The Submission of the Mamelukes to Napoleon Bonaparte during the Egyptian Campaign, 1798 (litho)
1039086 The Submission of the Mamelukes to Napoleon Bonaparte during the Egyptian Campaign, 1798 (litho) by English School, (19th century); Private Collection; (add.info.: The Submission of the Mamelukes to Napoleon Bonaparte during the Egyptian Campaign, 1798. Illustration for The Graphic, 1895.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 22633400
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
1798 Egyptian Campaign Mamelukes Napoleon Bonaparte Submission Surrenders
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EDITORS COMMENTS
This lithograph, titled "The Submission of the Mamelukes to Napoleon Bonaparte during the Egyptian Campaign, 1798" takes us back in time to a significant moment in history. The image depicts a scene filled with tension and intrigue as Napoleon stands tall amidst a group of Mameluke warriors who have surrendered to his might. The artist from the English School beautifully captures the intensity of this historical event. The composition is rich in detail, showcasing the elaborate costumes and weaponry of both sides. Each figure is meticulously rendered, their expressions conveying a mix of defiance and resignation. This print was originally created as an illustration for The Graphic in 1895, offering readers an immersive glimpse into one of Napoleon's most triumphant moments during his Egyptian campaign. It serves as a testament to his military prowess and strategic brilliance. As we gaze upon this artwork today, we are reminded of the power dynamics at play during colonial times and how they shaped our world. It invites us to reflect on themes such as conquest, submission, and cultural exchange. With its historical significance and artistic merit, this lithograph from Bridgeman Images allows us to delve into the past while appreciating the skillful craftsmanship that brings it to life.
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