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The Indian Subalterns Vampire, page from The Delhi Sketchbook, 1850-54 (litho)
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The Indian Subalterns Vampire, page from The Delhi Sketchbook, 1850-54 (litho)
996482 The Indian Subalterns Vampire, page from The Delhi Sketchbook, 1850-54 (litho) by English School, (19th century); 27.7x15 cm; Private Collection; Photo eChristies Images; English, out of copyright
Media ID 23292998
© Christie's Images / Bridgeman Images
Asleep Bedroom British Empire British Raj Debt Debtor Demon East Eastern Economy Finance Macabre Orientalism Orientalist Personification Predator Scary Sinister Spooky Subaltern Supernatural Vampire Victim West Western Bat Wings Beds Fear Monster
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The Indian Subaltern's Vampire - A Satirical Glimpse into Colonial India
EDITORS COMMENTS
. This intriguing lithograph, titled "The Indian Subalterns Vampire" offers a fascinating glimpse into the British Raj era in India during the mid-19th century. The artwork is part of "The Delhi Sketchbook" and measures 27.7x15 cm, showcasing an English School's perspective on life in colonial India. In this satirical illustration, we find ourselves inside a bedroom where a sleeping subaltern lies unaware of the supernatural presence lurking above him. With bat wings and sinister features, the vampire personifies debt and financial woes that haunted many individuals during this time. Through clever imagery and dark humor, this print reflects upon the economic exploitation faced by Indians under British rule. It highlights how Western powers often preyed upon their colonies for financial gain while maintaining control over their resources. The artist skillfully combines elements of gothic horror with orientalist aesthetics to create a thought-provoking commentary on power dynamics within colonial societies. This macabre portrayal serves as a reminder of the fearsome consequences faced by those who fell victim to imperialist ambitions. As we delve deeper into this image from "The Delhi Sketchbook" it becomes evident that it not only captures historical context but also sheds light on broader themes such as cultural clashes, fear, and resistance against oppressive forces. Overall, this print invites viewers to reflect upon the complex relationship between East and West during an era defined by imperialism and explores how
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