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Evening Bell at Mii Temple, from the series Eight Views of Lake Biewa (colour woodblock print)
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Evening Bell at Mii Temple, from the series Eight Views of Lake Biewa (colour woodblock print)
CH441555 Evening Bell at Mii Temple, from the series Eight Views of Lake Biewa (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 25x36.8 cm; Private Collection; Photo © Christie's Images; Japanese, out of copyright
Media ID 22915432
© Christies Images / Bridgeman Images
Aerial View Atmospheric Bell Calm Dusk Hills Monastery Peaceful Ringing Series Sound Summoning Sunset Toll Tranquil Twilight Wooded Tolling
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EDITORS COMMENTS
This print titled "Evening Bell at Mii Temple" transports viewers to the serene and picturesque landscapes of rural Japan. Taken from the series Eight Views of Lake Biewa, this colour woodblock print by Hiroshige, Ando or Utagawa showcases an atmospheric aerial view of a mountainous region during twilight. The image captures the tranquil beauty of a peaceful countryside as dusk settles over the hills and wooded areas. The evening bell tolls from Mii Temple, summoning villagers for prayer in this idyllic setting. As the sun sets behind the mountains, its warm glow casts a mesmerizing light on the lake below. The composition is truly breathtaking, with every detail meticulously captured by the artist's skilled hand. From the intricate brushwork depicting foliage to the delicate rendering of distant village houses nestled among rolling hills, each element adds to the overall sense of calm and tranquility. This print not only serves as a visual feast but also evokes a sense of serenity and harmony with nature that is characteristic of Japanese art. It invites viewers to immerse themselves in this enchanting scene and experience a momentary escape from their daily lives. With its timeless appeal and masterful execution, "Evening Bell at Mii Temple" stands as an enduring testament to Hiroshige's artistic prowess and his ability to capture both natural beauty and spiritual essence through his work.
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