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Folio from a Rawdat al-safa (Garden of felicity) by Mirkhwand (d
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Folio from a Rawdat al-safa (Garden of felicity) by Mirkhwand (d
3741787 Folio from a Rawdat al-safa (Garden of felicity) by Mirkhwand (d. 1498); verso: illuminated text; recto: the combat between Muslims and infidels and the martyrdom of Marv-ibn- al-Humam, detached manuscript folio, 1571-1572 (opaque watercolour, ink and gold on paper) by Persian School, (16th century); 25.7x15.8 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Calligrapher: Inayatullah al-katib al-Shirazi, Author: Khwandshah (Mirkhwand)
10 1/8 x 6 1/4 in); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright
Media ID 22509280
© Arthur M. Sackler Gallery, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Detached Manuscript Folio Henri Vever Collection Iran Rawzat Al Safa
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This print showcases a folio from the Rawdat al-safa (Garden of felicity) by Mirkhwand, a renowned Persian author who lived in the late 15th century. The image captures both sides of the detached manuscript folio, offering a glimpse into its intricate details and historical significance. On the verso, we are treated to an illuminated text that exudes elegance and beauty. The delicate strokes of opaque watercolor, ink, and gold on paper create a mesmerizing visual feast for the eyes. This side alone is enough to captivate any art enthusiast or history lover. However, it is on the recto where this artwork truly comes alive. Here we witness an intense combat scene between Muslims and infidels as well as the martyrdom of Marv-ibn-al-Humam. The artist skillfully portrays this momentous event with great attention to detail and emotion. Measuring at 25.7x15.8 cm, this detached manuscript folio holds immense cultural value and serves as a testament to Persian artistry during the 16th century. It now resides in the Arthur M. Sackler Gallery at Smithsonian Institution in USA thanks to generous contributions from various sources. This remarkable piece not only highlights Inayatullah al-katib al-Shirazi's calligraphy skills but also pays homage to Khwandshah (Mirkhwand)'s literary genius. Its inclusion in Henri Vever collection further solidifies its importance
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