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Tomb of The Harrowing of Hell in Bristol Cathedral (grave cover and two graves)
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Tomb of The Harrowing of Hell in Bristol Cathedral (grave cover and two graves)
2831374 Tomb of The Harrowing of Hell in Bristol Cathedral (grave cover and two graves), 1832 (w/c & pencil on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 23131738
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Bristol Cathedral Burial Coffin Coffins Crucifix Funerary Harrowing Hell Mortuary Sarcophagus Ecclesiastical
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EDITORS COMMENTS
This print captures the Tomb of The Harrowing of Hell in Bristol Cathedral, showcasing a grave cover and two graves. Created by Joseph Manning in 1832 using watercolor and pencil on paper, this artwork is housed at the Bristol Museum and Art Gallery in the UK. The image exudes an air of religious significance, with its depiction of a cross, mortuary elements, burial symbolism, and funerary motifs. The artist skillfully portrays coffins and sarcophagi that represent death's inevitable presence. The central focus lies on the tomb itself, which stands as a powerful symbol of both mourning and hope. The title "Tomb of The Harrowing of Hell" hints at the theological concept it represents – Christ's descent into hell after his crucifixion to free souls from damnation. This narrative adds another layer to the already profound subject matter. Bristol Cathedral serves as an impressive backdrop for this scene, emphasizing its ecclesiastical context. Its grandeur enhances the solemnity surrounding death while also highlighting humanity's quest for spiritual salvation. Manning's meticulous attention to detail brings depth and realism to this painting. Each stroke reveals his dedication to capturing not only physical forms but also emotional weight. As viewers contemplate this artwork, they are invited to reflect upon life's transience and consider their own mortality. It serves as a poignant reminder that even amidst grief and loss, there is always room for redemption and eternal peace.
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