Altarpiece of the Adoration of the Blessed Sacrament, in the predella: The Last Supper, Saint Sebastian and Saint Roch, 1560 (tempera on panel)

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Altarpiece of the Adoration of the Blessed Sacrament, in the predella: The Last Supper, Saint Sebastian and Saint Roch, 1560 (tempera on panel)

8832364 Altarpiece of the Adoration of the Blessed Sacrament, in the predella: The Last Supper, Saint Sebastian and Saint Roch, 1560 (tempera on panel) by Pancalino, Raffaele De (Raffeale De Rossi) (fl.1514-1573); Parrocchiale di Sant' Antonio, Bagnasco, Cuneo, Italy; (add.info.: Altarpiece by Raffaele (or Raphael) Pancalino (news 1514-1573) Italian painter.
Altarpiece of the Adoration of the Blessed Sacrament (Saint Anthony the Abbot and Saint Margaret of Antioch in adoration of the Eucharist). In the predella: The Last Supper, Saint Sebastian and Saint Roch
Sant'Antonio Parish Church, Bagnasco (Cuneo).); Luisa Ricciarini

Media ID 38518226

© Luisa Ricciarini / Bridgeman Images

Altarpiece Chiristianity Christianity Religion Devotion Kneeled Down Oil Painting Oil Paintings Piety Worshipper Worshipping Art Fine Art C16h Religious Worship

EDITORS COMMENTS
This stunning print captures the intricate details and vibrant colors of the Altarpiece of the Adoration of the Blessed Sacrament, painted by Raffaele De Rossi in 1560. The central panel depicts Saint Anthony the Abbot and Saint Margaret of Antioch in adoration of the Eucharist, surrounded by angelic figures bathed in a heavenly light. In the predella below, we see scenes from The Last Supper, as well as depictions of Saint Sebastian and Saint Roch. Each figure is rendered with precision and emotion, showcasing De Rossi's mastery of tempera on panel technique. The composition exudes a sense of piety and devotion, inviting viewers to contemplate the sacred subject matter. The rich colors and intricate details draw us into a world where faith and worship are paramount. Located in Sant'Antonio Parish Church in Bagnasco, Italy, this altarpiece is not only a work of art but also a testament to religious fervor during the 16th century. It serves as a reminder of the power that religious imagery held over communities at that time. This print allows us to appreciate this masterpiece up close, highlighting its beauty and significance within Italian Renaissance art history.

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