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The Pyramid of C. Cestius, 1833 (etching with brown wash)
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The Pyramid of C. Cestius, 1833 (etching with brown wash)
STC384914 The Pyramid of C.Cestius, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Piramide de C. Cestius; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; Gaius Cestius (died 12 BC) was a praetor and tribune of the plebs; His tomb was included in the Aurelian walls in the third century; In the foreground is the so-called Protestant Cemetery; ); The Stapleton Collection; Italian, out of copyright
Media ID 22924984
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
The Pyramid of C. Cestius, 1833" is a captivating etching with brown wash that transports viewers back to ancient Rome. This print, created by Agostino Tofanelli and engraved by Pietro Fontana, captures the grandeur and mystery of the pyramid-shaped mausoleum built for Gaius Cestius in 12 BC. The image showcases the impressive structure rising against a backdrop of clear blue skies. Its weathered stone walls tell tales of centuries past, as it stands proudly within the Aurelian walls. The tomb's inclusion in these fortifications during the third century adds an element of historical significance. In the foreground lies the renowned Protestant Cemetery, adding a touch of melancholy to this scene steeped in antiquity. The juxtaposition between life and death is strikingly portrayed through this composition. Tofanelli's attention to detail brings every aspect to life – from the intricate engravings on the pyramid's facade to each blade of grass swaying gently under a shepherd's watchful eye. It evokes feelings of awe and wonder at both human ingenuity and nature's timeless beauty. This remarkable print from Fine Art Finder serves as a window into history, allowing us to marvel at Rome's rich heritage while contemplating our own mortality. It reminds us that even in death, great works endure, leaving behind stories waiting patiently for curious minds to unravel their secrets.
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