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Les mineurs abattant le charbon (engraving)

Les mineurs abattant le charbon (engraving)


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Les mineurs abattant le charbon (engraving)

2814449 Les mineurs abattant le charbon (engraving) by French School, (19th century); Private Collection; (add.info.: Les mineurs abattant le charbon. Illustration for Le Tour Du Monde (Hachette, 1867 1H). Digitally cleaned image.); © Look and Learn

Media ID 22895878

© Look and Learn / Bridgeman Images

Coal Loire Mine Miners Mines Mining Saone


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EDITORS COMMENTS
This photo print, titled "Les mineurs abattant le charbon" transports us back to the 19th century, offering a glimpse into the arduous world of coal mining. The engraving, created by an anonymous French School artist, captures the essence of hard work and dedication that defined the lives of miners during this era. The image showcases a group of miners diligently toiling away in a dimly lit underground mine. Covered in soot and sweat, their faces reveal both exhaustion and determination as they wield their tools to extract precious coal from deep within the earth. Each miner's posture exudes strength and resilience as they navigate through treacherous conditions in pursuit of their livelihoods. This powerful illustration was originally featured in Le Tour Du Monde magazine in 1867, providing readers with a visual representation of the challenging realities faced by these unsung heroes. Through its digitally cleaned presentation, we are able to appreciate every intricate detail captured by the artist's hand. "Les mineurs abattant le charbon" serves as a poignant reminder of the sacrifices made by countless individuals who dedicated their lives to fueling industrial progress. It invites us to reflect on our own privileges while honoring those who worked tirelessly beneath our feet. This remarkable piece from Bridgeman Images is not only an artistic treasure but also an invaluable historical document that sheds light on an essential aspect of human labor – one that shaped entire communities and propelled societies forward.

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