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Photographic Print : Bystander front cover - Marchioness of Queensberry
Photo Prints from Mary Evans Picture Library
Bystander front cover - Marchioness of Queensberry
Cathleen Mann (1896-1959), Artist; second wife of Francis A. Kelhead, 11th Marquess of Queensbury; daughter of Harrington Mann. Pictured on the front cover of The Bystander magazine in a colour photograph by Raphael. Date: 1930
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Media ID 7184077
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10513224
Aristocracy Aristocrat Bystander Cathleen Francis Harrington Mann Marchioness Marquess Queensberry Raphael
14"x11" Photo Print
Introducing the exquisite "Bystander front cover - Marchioness of Queensberry" photograph from Media Storehouse's collection of high-quality artistic prints. This stunning image, sourced from Mary Evans Prints Online, captures the elegant and enchanting portrait of Cathleen Mann, the second wife of the 11th Marquess of Queensbury. Painted by her father, Harrington Mann, this portrait exudes an air of sophistication and charm. Each print is produced using premium materials and state-of-the-art printing techniques to ensure vibrant colors and exceptional detail. Add a touch of timeless beauty to your home or office with this captivating piece of art. Order now and bring this exquisite image into your space.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 25.4cm x 35.5cm (10" x 14")
Estimated Product Size is 27.9cm x 35.5cm (11" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cover image from the March 1930 issue of The Bystander magazine features the elegant and enigmatic Cathleen Mann, the Marchioness of Queensberry. The daughter of Harrington Mann, an esteemed British artist, Cathleen married Francis A. Kelhead, the 11th Marquess of Queensbury, in 1926. This colour photograph, expertly captured by the renowned Raphael, showcases the allure and sophistication of the aristocracy during the Roaring Twenties and early 1930s. The Marchioness of Queensberry is depicted in an exquisite gown, her expressive eyes captivating the viewer's attention. The background is simple, allowing the focus to remain on her striking features and the subtle elegance of her attire. The use of colour adds a vibrant and modern touch to the portrait, making it a standout among the black-and-white images that dominated the era. The Bystander was a popular society magazine of the time, known for its high-quality portraits and insightful articles on the lives of the rich and famous. This cover image, with its stunning composition and beautiful subject, perfectly encapsulates the glamour and intrigue of the 1930s aristocracy. The image is a testament to the power of photography to capture a moment in time and preserve it for future generations to appreciate. Cathleen Mann's marriage to the Marquess of Queensberry marked a significant moment in her life, as she became a member of one of the most prominent aristocratic families in Britain. Her image on the cover of The Bystander serves as a reminder of the enduring allure of the aristocracy and the role that magazines played in shaping public perception during the 1930s.
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